| La liberté, c'est toujours la liberté de l'autre. | ||
| Rosa Luxembourg | ||
http://fr.wikipedia.org/wiki/Rosa_Luxemburg
Eric Rohmer
- Conte de printemps (1990)
Bande-annonce du premier volet de la série des Contes des quatre saisons.
Avec Anne Teyssèdre, Hugues Quester, Florence Darel
Trailer
| Les filles sont les roses de la couronne de la vie. Les roses et les filles font resplendir le printemps. | ||
| Heinrich Heine | ||
Brulart avait beaucoup d'esprit et de savoir,.
mais l'un et l'autre fort désagréable par un air de hauteur, de transcendance, de pédanterie
[Saint-Simon,
Mémoires complets et authentiques du duc de Saint-Simon]
« J'appelle transcendantale toute connaissance qui ne porte point en général sur les objets mais sur notre manière de les connaître, en tant que cela est possible a priori »
Kant, Critique de la raison pure,
introduction, §VII, III, 43
Qu'entends-tu de moi que je n'entends pas ? JL Murat
'Parfum d'acacia au jardin'
Qu'entends-tu de moi que je n'entends pas ? ...
A great acacia, with its slender trunk And overpoise of multitudinous leaves, (In which a hundred fields might spill their dew And intense verdure, yet find room enough) Stood reconciling all the place with green. E. B. Browning —Aurora Leigh. Bk. VI. http://en.wikipedia.org/wiki/Aurora_Leigh  "Aurora Leigh (1856) is an eponymous epic novel/poem by Elizabeth Barrett Browning. The poem is written in blank verse and encompasses nine books (the woman's number, the number of the prophetic books of the Sibyl). It is a first person narration, from the point of view of Aurora; its other heroine, Marian Erle, is an abused self-taught child of itinerant parents. The poem is set in Florence, Malvern, London, and Paris. She uses her knowledge of Hebrew and Greek, while also playing off modern novels, such as Corinne ou l'Italie by Anne Louise Germaine de Staël and the novels by George Sand. Through Book 5, Aurora narrates her past, from her childhood to the age of about 27; in Books 6-9, the narrative has caught up with her, and she reports events in diary form. Elizabeth Barrett Browning styled the poem "a novel in verse", and referred to it as "the most mature of my works, and the one into which my highest convictions upon Life and Art have entered."" Aurora, Jérôme, le roman..."Cette histoire, comment pourrais-je la finir?" Voltaire : Nos deux amants, pleins de trouble et de joie, Ivres d’amour, à leurs désirs en proie, Se renvoyaient des regards enchanteurs, De leurs plaisirs brûlants avant-coureurs. Les doux propos, libres sans indécence, Aiguillonnaient leur vive impatience. Le prince en feu des yeux la dévorait; « Contes d'amour d'un air tendre il faisait ... Et du genou le genou lui serrait » Extrait d'OEUVRES COMPLÈTES DE VOLTAIRE LA PUCELLE D'ORLÉANS : http://www.voltaire-integral.com/Html/09/05_01.html  | 1 |
Light-leaved acacias, by the door, Stood up in balmy air, Clusters of blossomed moonlight bore, And breathed a perfume rare. George MacDonald —Song of the Spring Nights. Pt. I. The Waterboys : A Man Is In LoveTaken from the album 'Room to Roam' recorded at Spidall House in Galway, on the west coast of Ireland. where the very sucessful preceding album, Fisherman's Blues, had also been recorded A Man Is In Love (Mike Scott / "Calliope House" (Dave Richardson) A man is in love, how do I know? He came and walked with me, and he told me so In a song he sang, and then I knew A man is in love with you A man is in love, how did I hear? I heard him talk too much whenever youre near He whispered your name when his eyes were closed A man is in love and he knows A man is in love, how did I guess? I figuered it out while he was watching you dress Hed give you his all, if youd but agree A man is in love and hes me Barry Beckett - piano Seamus Begley - background vocals Colin Blakey - flute, piano, Hammond organ, whistling, whistle Noel Bridgeman - percussion, drums, vocals John Burke - background vocals Trevor Hutchinson - bass guitar, bouzouki Roddy Lorimer - trumpet Diarmuid O'Suilleabhan - background vocals Ken Samson - didjeridu Mike Scott - guitar, piano, vocals Sharon Shannon - fiddle, accordion J. Neil Sidwell - trombone Anthony Thistlethwaite - mandolin, saxophone Steve Wickham - fiddle, Hammond organ, vocals Ciaran Wilde - clarinet  | 2 |
| Our rocks are rough, but smiling there Th’ acacia waves her yellow hair, Lonely and sweet, nor loved the less For flow’ring in a wilderness. Moore—Lalla Rookh. Light of the Harem. | 3 |
Numerical Art and Photo by Jacqueline Waechter 2010
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